La voce politica dell’arte effimera: due casi dall’Africa contemporanea
DOI:
https://doi.org/10.14672/ada2011170%25pAbstract
In questo articolo si prenderà in considerazione l’opera di due creatori contemporanei la cui arte esplora l’effimero come mezzo per affrontare questioni politiche complesse1. Entrambi gli artisti sono camerunesi. Il primo, Malam (nato nel 1965), vive oggi nella periferia parigina; il secondo, Hervé Yamguen (nato nel 1971) abita a Douala.Downloads
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