No. 4 (2014): Spanish-Italian contrastive orality: grammatical, discursive and textual aspects

MONOGRAPHIC SECTION

• Introduction

  Félix San Vicente, Esther Morillas

  9-19

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• Focus preposition in Italian and Spanish as L2

  Margarita Borreguero Zuloaga

  21-47

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• A contrastive analysis of psycho-social formulae in Italian and Spanish

  Giovanni Brandimonte

  49-67

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• Prefabricated orality in a classical Italian film: a study of Una giornata particolare

  Estefanía Flores Acuña

  69-89

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• 4. The concept of orality from the Ordine delle lettere to the Diálogo de la lengua

  María Enriqueta Pérez Vázquez

  91-107

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• Orality and communicative setting in consecutive interpreting: an exploratory study

  María Rodrigo

  109-126

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Interpretation and translation

• Oralidad y situación comunicativa en interpretación consecutiva: un estudio exploratorio

  Matteo Anfuso, Mara Morelli

  129-147

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• Analysis of speech disfluencies in simultaneous interpreting from Italian into Spanish

  Michela Bertozzi

  149-164

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• Critical oral features in simultaneous interpreting: a Spanish-Italian contrastive analysis based on the EPIC corpus

  Mariachiara Russo

  165-181

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• The concept of orality in the translation of Italian pop music: two approaches

  Rocío García Jiménez

  183-196

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• Transition from oral discourse to writing in the legal field

  Chiara Sinatra

  197-212

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• "Un poquito de por favor” (“A little bit of please”): the challenge of orality to subtitling constraints

  Raffaella Tonin

  213-227

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Reviews

• Reviews

  Nuria Pérez Vicente, Montserrat Veyrat Rigat, Rosa Mateu Serra, Giovanni Garofalo, Silvia Monti, Marina Bianchi

  229-248

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