Isidora Rufete in the rise and decline of the Novelas contemporáneas
DOI:
https://doi.org/10.14672/1.2021.1795Abstract
This article focuses on the importance of the character of Isidora Rufete during the various phases of Galdos’s novels. In fact, the novel La desheredada, where Isidora acts as the main character, opens the phase of the novelas contemporáneas, through which the Canarian author conveyed the lesson of French naturalist writers. After a period of apparent oblivion, the character appears again in Torquemada en la hoguera, the first novel to show some changes from the usual novelas contemporáneas formula, taking into account new spiritual matters and clearing the path for the phase of the novelas espirituales. This means that Isidora Rufete witnesses the changes in the author’s writing from a very close point of observation, thus providing a closer insight into the motivations underpinning them.
Downloads
References
Bauer, Elizabeth (1989), “Isidora’s Anagnorisis: Reading, Plot, and Identity in La desheredada”, Anales Galdosianos, 24: 43-52.
Bly, Peter A. (1983), Galdós’s Novel of the Historical Imagination: A Study of the Contemporary Novels, Liverpool, Francis Cairns.
Bravo Villasante, Carmen (1975), Cartas a Galdós; Emilia Pardo Bazán, Madrid, Turner.
Collins, Marsha S. (1990), “Sliding into the Vortex: Patterns of Ascent and Descent in La desheredada”, Anales Galdosianos, 25: 13-23.
Engler, Kay (1970), “Linguistic Determination of Point of View: La desheredada”, Ibero- Romania, 3: 142-51.
Ewald, Liana (2008), “Confinement, consolation and confession in Galdos’s La desheredada”, Hispanic review, 76/4: 361-386.
Ferrando Valero, Carles (2015), “Diálecticas de la novela moderna: realismo y tipología narrativa en Fortunata y Jacinta”, Hispanic review, 83/1: 77-98.
Gilman, Stephen (1981), Galdós and the art of the European novel: 1867-1887, Princeton, Princeton University Press.
Javier López, Ignacio (2014), La novela ideológica (1875-1880): La literatura de ideas en la España de la Restauración, Madrid, Ediciones de la Torre.
Kronik, John W. (1997), “Lector y narrador” en Creación de una realidad ficticia: las novelas de Torquemada de Pérez Galdós, Arencibia Y. (ed.), Madrid, Castalia: 79-114.
Krow-Lucal, Martha (1977), “The evolution of Encarnación Guillén in La desheredada”, Anales Galdosianos, 12: 21-37.
Labanyi, Jo (2000), Gender and modernization in the Spanish Realist Novel, Oxford, Oxford University Press.
Maffini, Alberto (2019), “Benina. Mujer santa para las tres religiones monoteístas”, Cuadernos AISPI, 13/1: 89-100.
Pérez Galdós, Benito (1984), Misericordia, García Lorenzo L. (ed.), Madrid, Cátedra.
— (2000), La desheredada, Gullón G. (ed.), Madrid, Cátedra.
— (2019), Torquemada en la Hoguera, en Las novelas de Torquemada, ed. López I.J. (ed.), Madrid, Cátedra.
Ramírez Herrera, María del Carmen (2019), La interrelación entre espacio y locura en las novelas contemporáneas materialistas de Benito Pérez Galdós (tesis doctoral).
Rodríguez Marín, Rafael (1996), La lengua como elemento caracterizador en las novelas contemporáneas de Galdós, Valladolid, Universidad de Valladolid.
Sánchez, Roberto G. (1977), “Galdós’ Tristana: anatomy of a disappointment”, Anales Galdosianos, 12: 111-25.
Schnepf, Michael A. (1991), “Galdós’s La desheredada manuscript: a note on the creation of Isidora Rufete”, Romance Notes, 31, 3: 245-50.
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
La revista está publicada bajo la licencia Creative Commons CC-BY.