Introduction
DOI:
https://doi.org/10.14672/2.2021.1866Abstract
Film and television production focuses its efforts on the creation of "complex cultural artefacts", which, given the convergence of resources of different nature (sound and image), have a multimodal character, and whose aim is the search for a real effect, as the British director Ken Loach acknowledges.
Downloads
References
Hoffmann, Christian (2020), “Introduction”, Telecinematic Stylistics, eds. Christian Hoffmann; Monika Kirner-Ludwig. London, Bloomsbury Academic: 1-18.
Koch, Peter; Oesterreicher, Wulf (2007 [1985]), Lengua hablada en la Romania: español, francés, italiano, Madrid, Gredos.
López Serena, Araceli (2021), “El hablar y lo oral”, Manual de lingüística del hablar, eds. Óscar Loureda; Angela Schrott. Berlin, Boston, De Gruyter: 243-260.
Piazza, Roberta; Bednarek, Monika; Rossi, Fabio (2011), “Introduction: Analyzing telecinematic discourse”, Telecinematic discourse: Approaches to the language of film and television series, eds. Roberta Piazza; Monika Bednarek; Fabio Rossi. Amsterdam/Philadelphia, John Benjamins: 1-17.
Downloads
Published
Issue
Section
License
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
La revista está publicada bajo la licencia Creative Commons CC-BY.
